从视觉景观生产到乡村振兴*:网红村的产生机制与可 持续路径研究

From Spectacle Production to Rural Revitalization: Study on the Formation Mechanism of Web-star Village and Its Sustainable Development

朱旭佳
南京大学建筑与城市规划学院 硕士研究生

罗震东(通讯作者)
南京大学建筑与城市规划学院 教授,博士

摘要: 消费社会与信息时代的同时到来催生出全新的视觉消费时代。尤其随着社交媒体的快速发展,城乡空间视觉化的程度迅 速加深,范围不断扩大。网红村的出现就是空间视觉化进程不断加深的必然产物。基于社会批判理论中的视觉景观概念,深 入剖析宁波市奉化区王家岭村的网红村发展历程与机制,阐述视觉景观生产在信息时代重构乡村的机制与效应。作为一种 乡村经济发展模式,视觉景观生产能带来乡村的消费化转型、获得一定的经济收益,但繁荣的表象下乡村发展的可持续性 困境不容忽视。通过深入的制度设计和综合治理重构重塑乡村特有的生活意趣和守望精神,或许才是乡村振兴的本质。

Abstract: The simultaneous arrival of the consumer society and the information age has formed a new era of visual consumption. Especially with the rapid development of social media, the degree of the visualization of urban and rural space is deepening and its scope is expanding too. The emergence of the web-star village is an inevitable outcome of this continuous spatial visualization. Based on the concept of spectacle in social critique theory, this paper, using Wangjialing Village from Ningbo, Zhejiang Province as a case, analyzes the formation process and mechanism of web-star village, and expounds the mechanism and effect of spectacle production in reconstructing rural locality. As a model of rural economic development, although spectacle production can bring about the consumerization transformation of the rural and obtain certain economic benefits, its sustainable predicament under the superficial prosperity cannot be ignored. The essence of rural revitalization may be to reshape the unique everyday life and local spirit of the rural through in-depth institution design and comprehensive governance.

关键词:视觉景观、信息时代、乡村振兴、网红村、机制

Keyword: Spectacle,Information age , Rural revitalization,Web-star village,Mechanism

中图分类号:TU981

文献标识码: A

资金资助

国家自然科学基金 “电子商务推动的乡村城镇化特征、机制与规划应对研究” 51878329

[1]费瑟斯通. 消费文化与后现代主义[M]. 南京:译林
出版社,2000.
FEATHERSTONE M. Consumer culture and
postmodernism[M]. Nanjing: Yilin Press, 2000.
[2]BERGER J. Way's of seeing[M]. New York: Penguin,
1972.
[3]方玲玲. 媒介之城——媒介地理学视野下的空间
想象力与城市景观[D]. 杭州:浙江大学, 2007.
FANG Lingling. City of media: spatial imagination
and urban landscape from the perspective of media
geography[D]. Hangzhou: Zhejiang University, 2007.
[4]GOLDHABER M H. Attention shoppers[J]. Wired,
1997, 5(12): 1.
[5]刘扬. 德波景观空间文化理论述略[J]. 城市问题,
2011(11): 89-94.
LIU Yang. Analysis to the debord critical theory on
the spatial cultures[J]. Urban Problems, 2011(11): 89-
94.
[6]刘润,杨永春,王梅梅,等. 转型期中国城市更新背
景下旅游地视觉景观生产研究——以成都宽窄
巷为例[J]. 人文地理,2016,31(3):136-144.
LIU Run, YANG Yongchun, WANG Meimei,et al.
The visual landscape production of tourist destination
under the circumstance of Chinese urban regeneration
in transition period: a case study of Kuanzhai
Alleys[J]. Human Geography, 2016, 31(3): 136-144.
[7]居伊•德波. 景观社会[M]. 王昭风,译. 南京:南京
大学出版社,2006.
DEBORD G. The society of the spectacle[M].
WANG Zhaofeng, translate. Nanjing: Nanjing
University Press, 2006.
[8]张一兵. 颠倒再颠倒的景观世界——德波《景观
社会》的文本学解读[J]. 南京大学学报(哲学•人
文科学•社会科学),2006,43(1):5-17.
ZHANG Yibing. Reversing the reversal of the
world spectacle: a textual reading of Guy Debord's
Society of the Spectacle[J]. Journal of Nanjing
University(Philosophy, Humanities and Social
Sciences),2006, 43(1): 5-17.
[9]刘扬. 视觉景观的形而上学批判——居伊•德波景
观社会文化理论述评[J]. 社会科学家, 2009(2):
21-25.
LIU Yang. Metaphysical criticism of spectacle: a
review of Guy Debord's social and cultural theory of
spectacle[J]. Social Scientist, 2009(2): 21-25.
[10]梁菁. 将“美”进行到底——视觉消费的社会学
解读[J]. 湖北经济学院学报(人文社会科学版),
2012,9(12):22-23.
LIANG Jing. Sociological interpretation of visual
consumption[J]. Journal of Hubei University of
Economics(Humanities and Social Sciences), 2012,
9(12): 22-23.
[11]LEFEBVRE H. The production of space[M].
Hoboken: Wiley-blackwell, 1992.
[12]王敏,江荣灏,朱竑. 人文地理学的“视觉”研究
进展与启示[J]. 人文地理,2017(3):10-19.WANG Min, JIANG Ronghao, ZHU Hong. A
review and revelation of the study of visual in human
geography[J]. Human Geography, 2017(3): 10-19.
[13]赵红梅,李庆雷. 旅游情境下的景观“制造”与
地方认同[J]. 广西民族大学学报(哲学社会科学
版),2011(3):14-20.
ZHAO Hongmei, LI Qinglei. The manufactured
landscape and local identification in the context
of tourism[J]. Journal of Guangxi University for
Nationalities(Philosophy and Social Science Edition),
2011(3): 14-20.
[14]史蒂文•贝斯特. 现实的商品化和商品化的现实:
波德里亚、德博尔和后现代理论[M]//波德里亚:
批判性的读本. 陈维振,陈明达,王峰,译. 南京:江
苏人民出版社,2005.
BEST S. The commodification of reality and
the reality of commodification: Baudrillard,
Debord, and postmodern theory[M]//Baudrillard:
a critical reader. CHEN Weizhen, CHEN Mingda,
WANG Feng, translate. Nanjing: Jiangsu People's
Publishing, 2005.
[15]汪冬冬. 景观社会:当代权力的异类表达[J]. 社科
纵横:新理论版,2007(2):120-121.
WANG Dongdong. The society of the spectacle:
an expression of modern power[J]. Social Sciences
Review, 2007(2): 120-121.
[16]道格拉斯•凯尔纳. 媒体奇观[M]. 史安斌,译. 北
京:清华大学出版社,2003.
KELLNER D. Media spectacle[M]. SHI Anbin,
translate. Beijing: Qinghua Press, 2003.
[17]王梅芳,刘华鱼. 景观社会:一种视觉传播化的统
治[J]. 当代传播(汉文版),2017(3):30-32.
WANG Meifang, LIU Huayu. The society of the
spectacle: a visual communicational domination[J].
Contemporary Communication(Chinese), 2017(3):
30-32.
[18]何峰,朱军备. 2016年度宁波市十大乡村“网红”
事件出炉[N/OL]. 宁波日报,2016[2018-09-02].
http://zjnews.zjol.com.cn/zjnews/nbnews/201702/
t20170215_3094166.shtml.
HE Feng, ZHU Junbei. Ningbo top ten rural "Web
Star" event in 2016 released [N/OL]. Ningbo Daily,
2016[2018-09-02]. http://zjnews.zjol.com.cn/zjnews/
nbnews/201702/t20170215_3094166.shtml.
[19]ROSE G. Using photographs as illustrations in
human geography[J]. Journal of Geography in Higher
Education, 2008, 32(1): 151-160.
[20]霍尔. 编码,解码[A]//文化研究读本. 北京:中国社
会科学出版社,2000.
HALL. Encoding, decoding[A]//Cultural studies: a
reader. Beijing: China Social Sciences Press, 2000.
[21]戴光全,陈欣. 广州上下九的视觉表征分析——以
互联网营销图片为例[J]. 人文地理,2010(5):
148-153.
DAI Guangquan, CHEN Xin. The visual
representation analysis of Shangxiajiu Street in
Guangzhou City: from the perspective of the photos on internet for marketing[J]. Human Geography,
2010(5): 148-153.
[22]桑塔格. 论摄影[M]. 黄灿然,译. 上海:上海译文出
版社,2012.
SONTAG. On photography[M]. HUANG Canran,
translate. Shanghai: Shanghai Translation Publishing
House, 2012.
[23]潘知常,林玮,曾艳艳. 结构主义—符号学的阐
释:传媒作为文本世界——西方传媒批判理论
研究札记[J]. 东南大学学报(哲学社会科学版),
2004,6(3):71-76.
PAN Zhichang, LIN Wei, ZENG Yanyan.
Media as the text world: an elaboration of
structuralism semiotics[J]. Journal of Southeast
University(Philosophy and Social Science), 2004,
6(3): 71-76.
[24]FRIEDBERG A. Cinema and the postmodern
condition[M]. New Brunswick: Rutgers University
Press, 1995.
[25]周宪. 视觉文化的消费社会学解析[J]. 社会学研
究,2004(5):58-66.
ZHOU Xian. An analysis of visual culture in
perspective of consumption sociology[J]. Sociological
Studies, 2004(5): 58-66.
[26]包东喜,党东耀. 网络传播的“乘数效应”与控制
应对[J]. 中国记者,2009(4):85-86.
BAO Dongxi, DANG Dongyao. "Multiplier effect"
and its control of network spread[J]. Chinese
Journalist, 2009(4): 85-86.
[27]赵刘,周武忠. 旅游景观的嬗变与视觉范式的转向
[J]. 旅游学刊,2011,26(8):32-37.
ZHAO Liu, ZHOU Wuzhong. Changes of tourism
landscapes and the shift of visual paradigm[J].
Tourism Tribune, 2011, 26(8): 32-37.
[28]厄里. 游客凝视[M]. 杨慧,译. 桂林:广西师范大学
出版社,2009.
URRY J. The tourist gaze[M]. YANG Hui, translate.
Guilin: Guangxi Normal University Press, 2009.
[29]WALKER P, FORTMANN L. Whose landscape? A
political ecology of the 'exurban' Sierra[J]. Cultural
Geographies, 2003, 10(4): 469-491.
[30]陈锐,钱慧,王红扬. 治理结构视角的艺术介入型
乡村复兴机制——基于日本濑户内海艺术祭的
实证观察[J]. 规划师,2016,32(8):35-39.
CHEN Rui, QIAN Hui, WANG Hongyang. Art
intervention in rural renaissance from governance
structure perspective: a positive study of Setouchi[J].
Planners, 2016, 32(8): 35-39.
[31]刘小蓓. 日本乡村景观保护公众参与的经验与启
示[J]. 世界农业,2016(4):135-138.
LIU Xiaobei. The experience and enlightenment of
public participation in rural landscape protection in
Japan[J]. World Agriculture, 2016(4): 135-138.
[32]肖明华,陶水平. 本雅明的传统艺术与现代艺术
比较研究[J]. 重庆邮电大学学报(社会科学版),
2005,17(1):122-126.
XIAO Minghua, TAO Shuiping. Benjamin's comparative study of traditional art and modern
art[J]. Journal of Chongqing University of Posts and
Telecommunications(Social Science Eedition), 2005,
17(1): 122-126.

微信扫一扫
关注“上海城市规划”
公众号